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Cover of John Wesley Harding

1967 · a landmark

John Wesley Harding

Listen to the album

Why it matters

Released in late 1967 after more than a year of silence, it swapped the wild electric sound of 1966 for spare Nashville recordings with a tiny band. Its short, biblical parables about outlaws, drifters and saints set the quiet tone for the rest of his country years.

After the motorcycle accident in 1966 Dylan withdrew to Woodstock, and for more than a year the public heard nothing new. In late 1967 he went to Nashville with Bob Johnston and recorded this album over a few short sessions, backed only by Charlie McCoy on bass and Kenny Buttrey on drums, with Pete Drake's pedal steel added to the two closing songs. Compared with the swirling sound of 1966, it is startlingly bare: acoustic guitar, harmonica, a light rhythm section and short, carefully weighed verses. The songs read like parables, populated by outlaws, immigrants, saints and messengers, and they echo the Bible and American folklore he was steeped in at the time. Released just after Christmas 1967, at the height of psychedelia, it seemed to point rock music back toward simplicity. Jimi Hendrix's electrifying version of "All Along the Watchtower" the following year became the definitive one, as Dylan himself later acknowledged.

Track list · 12 songs

Where its songs lead

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