Bob Dylan, explored
‹ Going Electric
Cover of Blonde on Blonde

1966 · a landmark

Blonde on Blonde

Listen to the album

Why it matters

Cut largely in Nashville with session players and Al Kooper and Robbie Robertson, it was one of rock's first double albums. Its loose, shimmering sound and mix of love songs, blues and long reveries capped his electric period.

Sessions began in New York with members of the Hawks, the group later known as the Band, but progress was slow. Early in 1966 producer Bob Johnston moved the work to Nashville, where seasoned players such as Charlie McCoy, Kenny Buttrey and Hargus Robbins joined Al Kooper and Robbie Robertson. The Nashville musicians often waited for hours while Dylan finished writing, then caught songs in a few takes, giving the record its relaxed, late-night glow. The sound is thinner and more delicate than the album before, built on organ, piano and lightly chiming guitars, and the songs range from brass-band larks to tender ballads and long, dreamy meditations, one of them filling an entire side. Released in mid-1966, it was quickly recognized as a high point of the decade. Weeks later his motorcycle accident ended the frantic electric period it crowned.

Track list · 14 songs

Where its songs lead

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