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Cover of Highway 61 Revisited

1965 · a landmark

Highway 61 Revisited

Listen to the album

Why it matters

Recorded mostly with a full electric band including Mike Bloomfield and Al Kooper, it opened with Like a Rolling Stone and closed with the eleven-minute Desolation Row. It is the album where his folk-rock sound arrived fully formed, mixing blues with sprawling, sardonic storytelling.

The album began in June 1965 with "Like a Rolling Stone", produced by Tom Wilson; Bob Johnston took over for the rest of the summer sessions in New York. Mike Bloomfield's stinging blues guitar and Al Kooper's organ, which he improvised on a song he barely knew, define much of the sound, a rough, ringing mix of Chicago blues and rock and roll. Between the sessions came the Newport Folk Festival, where Dylan's electric set split his audience. The record is named after the highway that runs from his home state of Minnesota down through the Mississippi Delta, and it is full of grotesque characters, absurd scenes and biting humor. It closes with a long, mostly acoustic song, its guitar part played by Charlie McCoy. Released at the end of August 1965, it was hailed as a landmark, and many still rank it as his greatest album.

Track list · 9 songs

Where its songs lead

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