Bob Dylan, explored
‹ Going Electric
Cover of Bringing It All Back Home

1965 · a landmark

Bringing It All Back Home

Listen to the album

Why it matters

Dylan split the record into an electric side with a rock band and an acoustic side of long, image-packed songs. It was the first album where he plugged in, and it showed his writing moving from topical protest toward surreal, personal poetry.

Recorded in New York in January 1965 with Tom Wilson producing, this album took only a few sessions, with Dylan often teaching the band songs on the spot. One side features electric guitars, bass and drums, with guitarist Bruce Langhorne among the players; the other is mostly Dylan with acoustic guitar, joined by Langhorne's shimmering electric lines on "Mr. Tambourine Man". The electric songs are fast, funny and sly, drawing on Chuck Berry and the blues, while the acoustic side holds some of his longest and darkest visions of society and self. It was released in March 1965, and that summer the Byrds took "Mr. Tambourine Man" to the top of the charts, helping launch folk rock as a genre. The album drew a clear line under his protest years and set the stage for his electric set at Newport a few months later.

Track list · 11 songs

Where its songs lead

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